candra samudra
Wednesday, September 17, 2025
Monday, September 15, 2025
Behind The Scenes
this is the behind the scene of the shooting for media project
Critical Reflection
In the Project Documentary , we are asked to make an opening of a crime documentary with the duration of 3 - 5 minutes. Me and my group decided to make a crime documentary about a stalking case , which also involves kidnapping .
Branding is important for media text , so people could recognise the media text that we made. We created our own thumbnail , the purpose of the thumbnail is to make the audience click on our documentary , so we have to make it as engaging as possible. From the thumbnail (fig 1.1)shown audience could know that this is a stalker crime documentary from how there so many picture of an innocent person , which is the victim , also the victim’s face are not shown in every photo in the thumbnail , this is to give hermeneutic code and to make the audience curious . The letter “O” in the word Fixation we change it to a target , to show the audience that she is targeted by someone. The lighting of the thumbnail was shown in dark or low lighting , which creates a meaning that something bad is happening ,and to make the audience know that it is a crime documentary.Our target audience are young adults or teenagers , in the age group of 16 - 25 years old, they are targeted by , first the actors in our documentary are teenagers , so people that are teenagers and young adults could relate to the documentary video we made . So this would make them enjoy watching the documentary , since they are seeing the character have the same age as them. Another way that teenagers and young adults are targeted is from the content of our documentary. Our documentary involves relationships , since young adults mostly relate to romance , relationship . So this might make them interested with our documentary video , also the victims were shown broken hearted which could relate with most young adults this relates to the theory of . We also use different mise en scenes , such as the room of the victim , would relate with most teenagers and the clothing is the clothes used by young adults conventionally or the trend in the young adults clothing.
In our documentary, there are more than one social group represented, such as the victim (of stalking) and the victim (of kidnapping) , Detective , and the stalker/kidnapper. We represent the social groups to align with the reception theory , where we want the audience encode meaning same as our dominant reading . The victim is represented as a teenager that is innocent and traumatized with what had happened to her, this is shown from how she acted at the interview, she looks scared and full of anxiety. From the interviews the detectives were shown tidy and professional. It is seen from the clothing and it is shown that he shows sympathy towards the victim. The stalker was shown mysterious and covered with all black clothing , this creates a meaning that he is a bad guy. Also from the voice mail sent by the stalker it already shows how obsessed the stalker is towards the victim , until he desperately wanted to hear the victim's voice and how his jealousy overcame himself , when he knows that the victim have a boyfriend , until he had to commit a bigger crime , which is kidnapping the boyfriend.
Editing
This is the our editing which is done by Maisie with the help of me
Sunday, September 14, 2025
Classwork
this is the classwork for the documentary project
Technical elements
These Are The Camera angles We Learned In Class
Long shot
Extreme long shot
Medium shot
Cowboy shot
Close up
Extreme close up
POV
Over the shoulder
High angle
Low angle
Dutch angle
Establishing shot
Fixed | Camera remains static | Calm, peace, normal |
Push in | Camera moves slowly toward subject | Brings the audience closer, more involved, getting more serious. |
Pull out | Camera moves slowly away from subject | Takes audience away from the action, leaving a character. Detaching from subject |
Pan | Side to side, camera fixed | Reveal information, mirrors natural head movement of the audience. |
Tilt | Up and down, camera fixed | Same as pan, just a different direction |
Dolly | Camera moves around freely | More immersive, we are moving inside the subjects world, we feel part of the action |
Tracking | Camera moves around on tracks | Similar to dolly, but smoother. |
Crane | Reveals the epic size of the setting, landscape. | |
Handheld | Camera is shakey | Very natural, immersive. High energy |
Zoom | Zoom | Brings audience closer to budget. Draws our attention to something. |
crane
Camera shots and camera movements would help us to know how we could attract audience attention and know how to make the situation more intense and good .
Description | Effect | |
Diegetic sound | Sound that can be heard by the characters within the media text. | Add a sense of realism. Reveal information to characters (and then audience) |
Non diegetic sound | Sound that can only be heard by the audience. | Enhance meaning, create an emotional response in the audience |
Trans diegetic sound | Sound that transitions from one to the other. | Creates a link between the audience and the world. More immersive |
Continuity Editing | Non continuity editing |
*Match cut |
*Match cut |
thumbnail and research development
this is our thumbnail and the process of making the thumbnail
Made by Cassie
Tuesday, August 26, 2025
Monday, August 25, 2025
filming schedule
Scene | Date/Time | Location | People | Props | Equipment | Other |
---|---|---|---|---|---|---|
Candra Interview Scene | 23/08/25 6:00 PM | Mai’s House | Full team + Felixen | Jacket, glasses | Ring light, phone, tripod, charger | Candra came super late so we filmed later at night |
Bedroom/Teddy Bear Camera Scene | 23/08/25 4:00 PM | Mai’s House (in her room) | Mai, Sagara & Cassie + Felixen | Teddy bear, photobooth strips, hair clip, makeup, iPad | phone | Candra was not present |
Kidnapping Scene | 23/08/25 7:00 PM | Mai’s House (in front of her gates) | Full team + Felixen | Towel, phone, jacket, mask | Digital camera, ladder | We had to wait for the streets to be empty to make it seem more believable |